ABOUT NEW YORK GRAND OPERA Between 10,000 and 20,000 people have been crowding into New York's Central Park on four nights each summer for the past twenty-two years to enjoy fully staged productions of the great operatic masterpieces presented by New York Grand Opera under the direction of Vincent La Selva, an American born and American-trained maestro who has been likened by many critics to the legendary Toscanini and is often singled out as the best conductor of Verdi and Puccini based in the United States today. New York City's third permanent opera company, New York Grand, founded by
La Selva, who conducts all its performances, has thus far given over 150 Performances of
more than forty operas for audiences, in Central Park alone. The New York Grand Opera
company has performed for close to 2 million people (more than half believed to have had
their first experience with grand opera under these auspices) since it made its bow with a
performance of La Boh�me on May 23, 1973 in the grand ballroom of the Riverside Plaza
Hotel on Manhattan's West 73rd Street. These operas have included not only the standards
like Aida, Rigoletto, Tosca, Cavalleria Rusticana and I Pagliacci, but such rarities as an
unfamiliar La Boheme by Leoncavallo and Verdi's little-known Stiffelio in their American
premieres; the first staged performance in die United States of Verdi's Giovanna d'Arco;
the first staged performance in New York of Aroldo; the first New York staged performance
in 127 years of Verdi's I Masnadieri; the first New York performance with orchestra of the
earliest Verdi opera, Oberto; and the first professional staged performance in fifty years
of La Juive by Haldvy. With the What makes this company truly unique is that, while other companies present free opera performances during the summer, only the New York Grand Opera presents these works fully staged. Stage directors have included James Lucas (who has staged productions for New York's Metropolitan Opera), Franco Gentilesca (a disciple of Roman Polanski and Visconti), Albert Bergeret (founder and Artistic Director of the New York Gilbert and Sullivan Players) and Massimo Dante. When this company was formed, it was felt that New York needed a
professional opera company which would fall somewhere between the Met and the New York
City Opera. La Selva wanted to build audiences, to give people a chance to hear and see
opera who might not be able to afford the other companies. And, of course, he wanted to
give qualified singers a chance. Thus, while Metropolitan Opera singers like Lucine Amara,
Gabriella |